Theater size matters
Broadway theaters range from around 600 seats (Helen Hayes) to nearly 2,000 (Gershwin). Smaller theaters mean almost every seat is good. In larger houses, seat choice becomes critical — especially in the mezzanine and balcony.
Richard Rodgers Theatre (Hamilton)
The orchestra is intimate with good rake, meaning even mid-orchestra seats have clear sightlines. The front mezzanine (rows A–D) is often considered the best value — elevated enough to see choreography patterns without losing facial expressions. Avoid rear mezzanine corners.
Gershwin Theatre (Wicked)
One of Broadway's largest houses. Orchestra center is excellent but rows A–C are too close for the elaborate flying sequences. The sweet spot is orchestra rows F–N, center. The mezzanine is steep but front rows deliver a full-stage panoramic view that works well for Wicked's spectacle.
Minskoff Theatre (The Lion King)
The Minskoff has a wide stage and the puppetry works best when you can see the full width. Orchestra center rows D–L are ideal. The mezzanine is high but the front row is excellent for the opening Circle of Life sequence when performers come through the audience below.
General Broadway tips
Aisle seats in the orchestra give extra legroom and sometimes cast members use the aisles. Partial view seats can be genuine bargains at some theaters — always check which part is obstructed. Matinees are less crowded and you often get better seat upgrades at the box office.